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supported by 5 fans who also own “The Desert”
This is some interesting sci-fi / horror post-hardcore. With those synths and melodies, the whole thing sounds like a movie oder videogame soundtrack. An outstanding album with amazing vocals and doomy riffs.
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supported by 5 fans who also own “The Desert”
You know that point where you have consumed perhaps just a little too much of your chosen intoxicate. That's this album. Fucking heavy!!!
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supported by 5 fans who also own “The Desert”
Unmaker was my first encounter with LLNN and I was worried that their previous works might not pack the same punch... what a fool I've been. Loss is short, and we should be grateful. This is soul-crushing in its heavyness. Imagine watching a gigantic orbital station collapse and crash down on earth, seemingly in slow motion: the annihilation of its impact all-encompassing and inevitable. It is the weight of such an expectation that turns Loss into an almost physical threat. Fascinating.
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Gorgeously punishing, slow-moving doom, with giant sludgy riffs crashing against thundering drums.
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Débris de mondes perdus
by Abraham
On their incredible new album, Swiss group Abraham deliver a relentless assault of punishing noise rock, eight tracks of primal fury.
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SLOWCUT return with four menacing post-metal songs that wind-up slowly and then explode.
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